It
the witty and insightful satire Candide
written by eighteenth-century Enlightenment author Voltaire, a portrait of
European society is painted as simultaneously colorful and dark. Voltaire, true
to form, uses his skillful writing to criticize nearly every aspect of his
society, including some aspects of Enlightenment thinking. His satire Candide criticizes a wide range of
social and political issues of his time period such as religion, corruption,
imperialism, and foolishness of blind philosophizing by juxtaposing his society
with the mythical and utopian land of El Dorado. Through the buffer of Candide,
Voltaire is able to openly address these controversial topics of
eighteenth-century European society.
One
of the most popular areas of society that Voltaire criticizes in his satire is
the powerful entity of the Church. Voltaire was openly a deist and, therefore,
was not terribly conflicted when it came to identifying the negative aspects of
the Church’s power in society. In his thesis on religious criticism in
Voltaire’s Candide, Lecavialier says
“Voltaire openly condemns the hypocrisy of the religious way of life by
exposing its adherent’s associations with politics, self-interest, dishonesty,
greed, carnality and fanaticism (68).” For example, the auto-da-fé sacrificed many people guilty of “crime” not worthy of
death such as the two men who refused bacon and were burned for being “Jews”,
the Grand Inquisitor was a violent man who bought Cunegonde as a sex slave and
attempted to murder Candide, and even the Friar is consorting with a prostitute.
The Friar even goes on to say that “jealousy, discord, and fury, dwell in the
convent (Voltaire, 69).” The satire on the Church is so severe that Voltaire
even portrays a Pope as having an illegitimate daughter—The Old Woman. All of
these corrupt individuals represent the hypocrisy of the Church. They are
supposed to represent the ideals of their religion, like kindness, celibacy,
and charity and yet they choose to embrace the sinful aspects of life instead.
Candide also comments largely on the
questionable social norms that have seemed to develop in European culture. Some
of these norms include violence, corruption, and, briefly, imperialism.
Violence is omnipresent in this satire and can be found in almost every
chapter. While a lot of the violence is carried out by the representatives of
the Church—see above for examples—much of the violence is also brought down
upon innocent women. We have three central female characters in the novel, Cunegonde,
The Old Woman, and Paquette, and all three of those women have been violated by
both men and by society. It is a dual violation because, while the men commit
the atrocities, the society exists in a structure that allows them to do so. Cunegonde
is raped and almost killed by a Bulgarian, The Old Woman was the beautiful
daughter of a Pope reduced to a broken, ugly old spirit by the cruelty of men
and merciless society, and Paquette, too, had been bought and sold as a sex
slave. These women represent both Voltaire’s criticisms of society but it is in
a speech of Paquette’s where she describes the incessant trials of her life
that we also view what M. Sarcey describes as “horror against the society which
throws some of its members into such an abyss (Voltaire, 94).” We also catch a
glimpse of the corruption of that society when Paquette explains that, though
she was innocent, the only reason the judge set her free was “on condition that
he succeeded the surgeon,” the surgeon being the man who forced her to be his
mistress (67).
Voltaire’s
portray of imperialism in this novel is like a flash of lighting, quick but
illuminating. Voltaire and Cacambo come across a “negro” who works on a sugar
cane plantation. The description of his appearance is shocking and saddening to
Candide, who, despite all his experience, remains an optimist up until that
point. Though simply stated, the negro’s words seem to have a tone that
resembles innocent admonishment when he says that “this is the price at which
you eat sugar in Europe,” while talking about his missing hand and leg that had
been cut off due to the difficulty of the job and as a punishment for trying to
escape his slavery. Enlightenment ideals and reasoning are manifested in the
character of the negro, as well. He comments on the fact that “the Dutch fetiches,
who have converted me, declare every Sunday that we are all of us children of
Adam—blacks as well as whites…Now, you must agree, that it is impossible to
treat one’s relations in a more barbarous manner (49).” This is logical reasoning
done on the part of the negro and it embraces the Enlightenment ideal of an
emphasis on individualism. This is the idea that the individual is just as
important as the collective. This way of thinking is characteristic of the
Enlightenment, which “emphasized human reason, the scientific method, and human
dignity (Halla, 2-3).”
Though
this exchange is an excellent instance of demonstrating ideals, there is only
one place in the entire satire that Voltaire truly considers to be the epitome
of perfection: El Dorado. El Dorado—the mythical city of gold—is where Candide
and Cacambo accidently find themselves in chapter XVII. Voltaire paints this
city as the picture of utopia. There is wealth beyond want and, yet, the people
do not show the obsession or corruption that occurs in the “real world,” if you
will, as a result of that wealth. There is no quarrel over religion, no
hierarchy of church, it is secluded from the world of imperialism and greed,
and the people are kind and welcoming. The king himself declares that “all men
are free (Voltaire, 46).” This is the world that Voltaire considers to be
ideal. After Cadide leaves the utopia of El Dorado, he seems to be much more
effected by the corruption, violence, and inequality of the world. He even
begins to doubt the doctrine of his infalliable Pangloss when he says,
“certainly, if all things are good, it is in El Dorado and not in the rest of
the world.” And this jaded tone persists until the end of the Candide’s story.
No comments:
Post a Comment